Home

About Us & Press Room

Music Business Blunders

Music Business Lessons (Courtesy of Berklee Press)

MBADC Performance Coach

Q&A

How To's & Quick Tips

Feature Articles

MBADC American Idol Armchair Quarterback

Auditions and Job Opportunities

ScamAlert

ScamAlert™
Extra: The Truth About Online Modeling & Talent Agencies


Backstage Spotlight™

Rediscovered  Talent


Music History Lesson

MBADC Music Industry Glossary

Resources & Links


Reprint Rights

Writers Guidelines



Liner Notes


 

MBADC American Idol Armchair Quarterback 2008, Season 7

American Idol, from the perspective of a former national-level talent booker, demo screener, and performance coach: who we like in the competition, what works and what doesn't, what contestants can do to improve their chances of success, and advice you can apply to your own career.

Editor's Note: Much has been made in the media about some of this year's contestants having had label deals in the past. After much discussion, we at MBADC made a conscious decision not to use this as a factor when rating each contestant's performance in the MBADC American Idol Armchair Quarterback column...including the  new "most signable" section.


Season 7: The Top 12 Sing Lennon McCartney Songs

Air date: Tuesday, March 11, 2008

Syesha Mercado: Syesha Mercado's version of "Got to Get You Into My Life" was a bad song choice for her voice, and she was pitchy in places--especially on the first verse. Syesha looks great on camera, but we were bored. She's not a bad singer, but she sings like an actress who happens to sing, as opposed to someone who's truly passionate about music. Tips for success: We'd prefer to see Syesha hosting a music show, where she could probably be successful, rather than singing on one.

Chikezie: Chikezie's version of "She's a Woman" was excellent, and we were entertained. It had a great arrangement, a really good vocal, it was a great style of music for him to do, he had great energy, and he was fun to watch. Definitely his best performance. Tips for success: Continuing with that style of music, and playing with the arrangements as he did here, is key to highlighting Chikezie's talents and highlighting what's unique about him.

Ramiele Malubay: Ramiele Malubay's version of "In My Life" had a pretty vocal, but it was very Telethon, and we were bored. Performance-wise she was dwarfed by the huge stage because she didn't take ownership of it, and the performance just wasn't memorable. We kept waiting for the special moment that never came. Tips for success: Song selection, song selection, song selection. A pretty voice isn't enough. You have to sell it.

Jason Castro: Jason Castro's version of "If I Fell" was a poor song selection...or at the very least, the arrangement of it was a poor choice. It was boring, because it was reminiscent of how a Beatle might do it in a quiet moment...but with a weaker vocal, which is not what you want to accomplish. It was good, but not great, so it didn't leave an impact. Tips for success: At this stage pf the competition, good or OK isn't good enough. They're now professionals, so it has to be great.

Carly Smithson: Carly Smithson's version of "Come Together" wasn't bad at all; her vocal was excellent. But it would have been far more interesting done acoustically with that killer vocal, rather than with the Beatles' arrangement, so she could make it her own. This version made it come off more like someone singing a Beatles tribute at an award show, instead of being something that could be recordable for herself. Tips for success: Song selection, and intriguing arrangements to wow the audience are what's needed here. Vocals aren't enough.

David Cook: David Cook's version of "Eleanor Rigby" had really cool vocal styling, and a decent arrangement. It didn't blow us away as much as last week, but we really liked it. Another good example of making a song your own. Vocally and musically, David Cook is light-years above the rest of the contestants. And the band wasn't bad either. Tips for success: Continuing to make smart choices in songs and arrangements is key.

Brooke White: Brooke White's version of "Let it Be" started off great for us at first, because we liked the country twang in her voice. But halfway through it she started channeling the original, and it lost all sense of uniqueness. When that happened, she lost us an audience. Had she maintained the country flavor, we probably would have liked it. Tips for success: When singing one of your favorites, keep the vocals unique and different, instead of note-for-noting the version you grew up on. You never want to lose what's unique about you.

David Hernandez: David Hernandez's version of "Since I Saw Her Standing There" was a reeeeeeally bad song choice. On the plus side, the vocal did hit the notes. But it didn't matter, because on the minus side, it came off like a bad Telethon or karaoke night and was corny and cheesy... as opposed to a professional, star-making performance. Tips for success: Beware the iconic song. An iconic song has already made someone a star, and it's highly unlikely to ever happen again. Finding another song that's not so iconic, that you can potentially make famous, is key.

Amanda Overmeyer: Amanda Overmeyer's country fried version of "You Can't Do That" was a good song choice for her, and she sang it well. Her stage presence was better this week, too. But the Bland Band was just bloody awful, and we were distracted by it. A country fried band to go with Amanda's performance could have the potential of making it a stellar performance. (The band from CBS's Rock Star would have been perfect.) Tips for success: Continuing to choose good songs and arrangements for her style, continuing to work on her stage presence is key. The chops are there; she's just gotta know how to use 'em.

Michael Johns: Michael Johns' version of "Across the Universe" had a good vocal, and it wasn't bad. But it was really predictable, and we were expecting something more unique. Michael's vocals are excellent, but we keep hoping for a spellbinding performance that hasn't shown up yet. As our Webmaster said, "He sings it, but he doesn't become one with the song." We agree: he sings it, but for lack of a better term, he doesn't sing the hell out of it. Tips for success: Putting extra oomph in his performances is the difference between success and triumph. It's one thing to hit the ball; it's another thing to hit it out of the park and keep running.  

Kristy Lee Cook:
Kristy Lee Cook's version of "Eight Days a Week" had the right idea, but didn't quite make it. We liked the idea to countrify it, and she sang the notes well. But  the band's tempo was too fast, and her vocal speed didn't keep up, so it was a rushed mess. Had she slowed down the band's tempo, instead of speeding it up, it would have actually worked.  Tips for success: We give Kristy props for taking a risk here, and encourage her to continue to experiment. She almost had it this time, and we'd like to see her record it countrified at the right tempo.

David Archuleta: David Archuleta's version of "We Can Work it Out" was his weakest performance thus far, and we weren't impressed. The arrangement wasn't good for him, and forgetting Beatles lyrics is a cri-yi-yi-yi-ime. Tips for success: Song selection, and getting the kid an education in Beatles 101. He needs a Cousin Phil.

Most signable: David Cook, because he sounds like a star and is the most adept at making the songs his own.

The MBADC American Idol Armchair Quarterback is intended as commentary and is not affiliated with Fox Television, American Idol, or its producers or judges in any way. Tips should be taken as a suggestion only and are not intended as a substitute for qualified vocal coaching or artist management. 

American Idol Armchair Quarterback

 

AddThis Feed Button


powered by FreeFind

Contact Us

MusicBizAdvice Blog

MusicBizAdviceMySpace

Link to Us

This Month in Music History

MBADC Creativity Workshop

Quotes of the Day

Body & Soul

Issues & Activism

Product Reviews

Cool Stuff We Love


The Starving Musician

Bus Fare

MBADC Women's Music Industry Workshop

Get your free MBADC Newsletter!

Exclusive content not found on MusicBizAdvice.com!
We do not rent, sell or give our mailing list to anyone.

Editorial: Music Mentors

Archives

Your ad can be in  this space. Email us for details.

map_sm_5.gif (13156 bytes)

Suicide Hotlines

 

Home | ScamAlert™ | Q&A  |  How ToBody & Soul | Music Business Blunders
MBADC Creativity Workshop™ | Opportunities |The Starving Musician | Bus Fare | Backstage Spotlight™ | 
Issues & Activism | Rediscovered Talent™|
MBADC American Idol Armchair Quarterback
Music Industry Glossary | Music History LessonThis Month in Music History | About Us Press Room |
  Liner NotesCool Stuff We Love | Contact UsReprint Rights
MusicBizAdvice Blog Resources & LinksQuote of the Day
Copyright © 2003 MusicBizAdvice.com. All rights reserved.
Designated trademarks & brands are the property of their respective owners.
Use of this website constitutes acceptance of the MusicBizAdvice.com

User agreement and Privacy Policy.