Home

About Us & Press Room

Music Business Blunders

Music Business Lessons (Courtesy of Berklee Press)

MBADC Performance Coach

Q&A

How To's & Quick Tips

Feature Articles

MBADC American Idol Armchair Quarterback

Auditions and Job Opportunities

ScamAlert

ScamAlert™
Extra: The Truth About Online Modeling & Talent Agencies


Backstage Spotlight™

Rediscovered  Talent


Music History Lesson

MBADC Music Industry Glossary

Resources & Links


Reprint Rights

Writers Guidelines



Liner Notes


 

MBADC American Idol Armchair Quarterback 2008, Season 7

American Idol, from the perspective of a former national-level talent booker, demo screener, and performance coach: who we like in the competition, what works and what doesn't, what contestants can do to improve their chances of success, and advice you can apply to your own career.

Editor's Note: Much has been made in the media about some of this year's contestants having had label deals in the past. After much discussion, we at MBADC made a conscious decision not to use this as a factor when rating each contestant's performance in the MBADC American Idol Armchair Quarterback column...including the  new "most signable" section.


Season 7 Top 16: The Top 8 Girls Perform  Songs From the 80s

Air date: Wednesday, March 5, 2008

Asiah Epperson: Asiah Epperson's version of Whitney Houston's "I Wanna Dance With Somebody" wasn't bad, but the vocal wasn't fabulous, either, because doing a Whitney song leads to expectations that no one else can meet. A different song would have been better. Performance-wise, she had good energy, but she moves neck and upper body around in a way that that's distracting and a little odd on camera. Tips for success: Practicing in front of a mirror, and watching back your performances is a great way to break yourself of bad habits.  

Kady Malloy:
Kady Malloy's version of Queen's "Who Wants to Live Forever" was off-key in places and droned on. She looks beautiful on camera, but the performance was so boring, it was hard to stay focused on whether   she was hitting the notes or not. Tips for success: Choosing a higher-energy or more emotional song, and really getting into the lyrics would help tremendously.

Amanda Overmeyer:
Amanda Overmeyer's version of Joan Jett's "I Hate Myself for Loving You" was a great song choice for Amanda's voice and style, and she sang it well. Performance-wise, we'd like to see her project out toward the back of the room a bit more and involve the whole audience. She looks down a lot, and projecting out and using the camera more would bring everyone into her performance. Tips for success: Learning to use the camera well is key. As for projection, using this song as an example, Amanda could project out by mentally focusing her performance energy on the word "you" in the line "I hate myself for loving you" rather than thinking about the "I hate myself" part.     

Carly Smithson:
Carly Smithson's version of Celine Dion's interpretation of "I Drove All Night" was sung well, but the song is extremely boring and kept us from focusing on her as an artist. (The song was a hit for Celine because of Celine's personality...it wasn't the song.) Performance-wise, Carly's not terrible, but not memorable: she has tatoos but there's no edge to her voice or personality, so her image and who she is as an artist is one big question mark. Tips for success: Song selection, and bringing up the level of her stage presence. Carly Smithson, in our opinion, is in danger of being Idol's next Katharine McPhee: a good voice that wins the competition, but so boring and non-descript as an artist that they don't know what to do with her, she doesn't sell, and ends up getting dropped.

Kristy Lee Cook:
Kristy Lee Cook's version of Journey's "Faithfully" was really great. The arrangement was excellent, the vocal was decent, and the country aspect of it was really nice. Definitely recordable and releasable as a current hit. Tips for success: Developing her onstage image and stage presence is key, because she needs to be memorable as an artist. (We had to wait for her name to pop up on the screen to write it in our notes for this column, because we didn't remember it.)

Ramiele Malubay:
Ramiele Malubay's version of Phil Collins' "Against All Odds (Take a Look at Me Now)" had a great vocal, and she looked great. But we're so sick of hearing this song on American Idol we're ready to tear our hair out, because it's starting to affect our opinions of the performers who sing it. Tips for success: Different song, please!!!

Brooke White:
Brooke White's version of Pat Benatar's  "Love is a Battlefield" had a decent vocal and was an excellent song choice...especially done acoustically, which was the whole key to it working. She should definitely record it this way, and it could be a hit again. (Paula was way off on this one; the lack of the band made it work.) Tips for success: Keep building that confidence and working on stage presence and onstage image.

Syesha Mercado:
Syesha Mercado's version of Whitney Houston's "Saving All My Love for You" was pitchy in a couple of places, but was a good vocal overall. She even looks great on camera, but we weren't' impressed. The problem here is song selection and arrangement. She didn't bring anything new to it at all, so it didn't tell us anything about her as an artist except that she can kinda-sorta hit the notes on a song that someone more memorable did better. When you're competing for Whitney's former chart position (which ultimately, the contestants are), you have to be great. Tips for success: Better song selection, unique arrangements, and developing a memorable performances is key.

Most signable:
 Based on tonight's performances, we're watching the progress of Brooke White and Kristy Lee Cook, who are the most musical (meaning, they're good at bringing good new arrangements and making the songs their own). Musical plus decent vocal is always better than just a perfect vocal in our book.

The MBADC American Idol Armchair Quarterback is intended as commentary and is not affiliated with Fox Television, American Idol, or its producers or judges in any way. Tips should be taken as a suggestion only and are not intended as a substitute for qualified vocal coaching or artist management. 

American Idol Armchair Quarterback

 

AddThis Feed Button


powered by FreeFind

Contact Us

MusicBizAdvice Blog

MusicBizAdviceMySpace

Link to Us

This Month in Music History

MBADC Creativity Workshop

Quotes of the Day

Body & Soul

Issues & Activism

Product Reviews

Cool Stuff We Love


The Starving Musician

Bus Fare

MBADC Women's Music Industry Workshop

Get your free MBADC Newsletter!

Exclusive content not found on MusicBizAdvice.com!
We do not rent, sell or give our mailing list to anyone.

Editorial: Music Mentors

Archives

Your ad can be in  this space. Email us for details.

map_sm_5.gif (13156 bytes)

Suicide Hotlines

 

Home | ScamAlert™ | Q&A  |  How ToBody & Soul | Music Business Blunders
MBADC Creativity Workshop™ | Opportunities |The Starving Musician | Bus Fare | Backstage Spotlight™ | 
Issues & Activism | Rediscovered Talent™|
MBADC American Idol Armchair Quarterback
Music Industry Glossary | Music History LessonThis Month in Music History | About Us Press Room |
  Liner NotesCool Stuff We Love | Contact UsReprint Rights
MusicBizAdvice Blog Resources & LinksQuote of the Day
Copyright © 2003 MusicBizAdvice.com. All rights reserved.
Designated trademarks & brands are the property of their respective owners.
Use of this website constitutes acceptance of the MusicBizAdvice.com

User agreement and Privacy Policy.