Home

About Us & Press Room

Music Business Blunders

Music Business Lessons (Courtesy of Berklee Press)

MBADC Performance Coach

Q&A

How To's & Quick Tips

Feature Articles

MBADC American Idol Armchair Quarterback

Auditions and Job Opportunities

ScamAlert

ScamAlert™
Extra: The Truth About Online Modeling & Talent Agencies


Backstage Spotlight™

Rediscovered  Talent


Music History Lesson

MBADC Music Industry Glossary

Resources & Links


Reprint Rights

Writers Guidelines



Liner Notes


 

MBADC American Idol Armchair Quarterback 2008, Season 7

American Idol, from the perspective of a former national-level talent booker, demo screener, and performance coach: who we like in the competition, what works and what doesn't, what contestants can do to improve their chances of success, and advice you can apply to your own career.

Editor's Note: Much has been made in the media about some of this year's contestants having had label deals in the past. After much discussion, we at MBADC made a conscious decision not to use this as a factor when rating each contestant's performance in the MBADC American Idol Armchair Quarterback column...including the  new "most signable" section.


Season 7: The Top 9 Sing Dolly Parton Songs (Guest Mentor: Dolly Parton)

Air date: Tuesday, April 1, 2008

Brooke White: Brooke White's version of  "Jolene" was not a great arrangement for her voice, and she was pitchy on some notes. The arrangement was too much like the original, which only works if your voice has a super-unique quality to it. Brooke's great, but it didn't work for us, and we'd have preferred to see her do something more unique with the song. Tips for success: As we've said time and time again, you have to do something unique with an arrangement to change it from the original. The more unique your voice, the closer you can keep it to the original...but for 99.999% of singers out there (yes, that includes you), changing it up is always a better bet.

David Cook: David Cook's version of "Little Sparrow" was an excellent choice for his voice and style, and he sang it excellently, save for one bad note. Although we usually hate falsetto, David's falsetto works because it's so organic, and unlike most singers, he flows naturally into and out of it. We'd like to hear him go even more alternative with the vocal on this song; it's a song that really works for him. Tips for success: Projecting a bit more never hurts, but considering he was taken to the hospital after the show, we give him an A anyway.

Ramiele Malubay:
Ramiele Malubay's version of "Do I Ever Cross Your Mind" could work for her as a song selection, but she didn't sing it well, and she just didn't shine. What happened to the little girl with the big voice? Ramiele isn't growing in the competition--she seems to be shrinking  inside herself rather than developing into the artist we hoped she'd become. Tips for success: The combination of projection, confidence, singing well, image, and choosing the right song is what it takes to be successful. Pulling out one of them at a time won't do it.

Jason Castro: Jason Castro's version of "Travelin' Through" was a great song choice for him. We've heard him sound better, but we liked it for him stylistically, and we'd like to hear him record it with really good production. We have no idea what the hell Simon Cowell was talking about on this one. We would have liked to see Jason step it up with the stage presence a tiny bit, though. Tips for success: When your singer-songwriter vibe is your strength, improving your stage presence behind the guitar is important. You never want to get lost behind that guitar. This Keith Urban performance is a great example of how to do it.

Carly Smithson: Carly Smithson's version of "Here You Come Again" was beautifully sung, but predictable. It was boring, and the arrangement of the band was very Telethon. Image-wise, we couldn't agree more on the wardrobe. But we're still confused as to who Carly Smithson is as an artist, and we've never seen someone with so many tatoos have so little edge. We should know who she is by now, and she's yet to give a performance that we actually remember (as evidenced by the fact that the morning after the performances, an MBADC staffer who saw the entire show said, "You know what I was surprised no one sang? That one that goes 'Here You Come Again'." And our Editor thought perhaps one did, but couldn't remember which contestant...) Tips for success: Finding something unique about yourself and bringing it out, confidently, is key.

David Archuleta: David Archuleta's version of "Smoky Mountain Memories" was sung with a beautiful voice and musically suited him, although we weren't crazy about the arrangement, which should have been acoustic piano. But the lyrics really didn't fit someone of his young age, so it was a little awkward. To make matters worse, he hit a clinker on one of the high notes. Truly, we'd rather this kid's parents had let him develop into an adult with a great voice, then spring him on the world. Because finding songs that suit him is going to be a real challenge. Tips for success: Changing the arrangement and instrumentation can highlight or change moments in the lyrics. Had David done this song with just himself at the piano, the lyrics might have worked for him, because an acoustic instrument brings out innocence and vulnerability in music and lyrics.

Kristy Lee Cook: Kristy Lee Cook's version of "Coat of Many Colors" was a good song for her, and she sang it well. But she needs to work on her stage presence; sometimes it feels like she's just coasting, and not in a good way. Tips for success: It will be interesting to see how people react to Kristy's comment about being more concerned with impressing Dolly rather than her mom at that moment. That's the killer attitude you have to have, but saying so on TV definitely rubbed one of our staffers the wrong way.

Syesha Mercado: Syesha Mercado's version of "I Will Always Love You" was sung well in the beginning, but throwing the Whitney in there was a mistake. It's been done, it's iconic, and as far as we're concerned, it's taboo for anyone to try to go there. You can't, so please do something else. Tips for success: If we hear one more singer try to do Whitney's notes, we may start screaming to try to drown them out!!! Arrrrgh!!!OK not really, but we'll be thinking it...

Michael Johns: Michael Johns' version of "It's All Wrong But it's All Right" had an excellent arrangement, and he sang it excellently too. A++++ on song selection. He should record this exact version, and he could make it a classic. Definitely Michael's best performance to date. Before this, we were ready to see him go home, because we were bored. Tips for success:  Song selection, and  arrangement is vital. In this case, it was the difference between a just OK and a superstar performance.

Most signable: David Cook. He's the most consistent, he has a clear vision of what his voice can do and of himself as an artist, and he "gets it".

The MBADC American Idol Armchair Quarterback is intended as commentary and is not affiliated with Fox Television, American Idol, or its producers or judges in any way. Tips should be taken as a suggestion only and are not intended as a substitute for qualified vocal coaching or artist management. 

American Idol Armchair Quarterback

 

AddThis Feed Button


powered by FreeFind

Contact Us

MusicBizAdvice Blog

MusicBizAdviceMySpace

Link to Us

This Month in Music History

MBADC Creativity Workshop

Quotes of the Day

Body & Soul

Issues & Activism

Product Reviews

Cool Stuff We Love


The Starving Musician

Bus Fare

MBADC Women's Music Industry Workshop

Get your free MBADC Newsletter!

Exclusive content not found on MusicBizAdvice.com!
We do not rent, sell or give our mailing list to anyone.

Editorial: Music Mentors

Archives

Your ad can be in  this space. Email us for details.

map_sm_5.gif (13156 bytes)

Suicide Hotlines

 

Home | ScamAlert™ | Q&A  |  How ToBody & Soul | Music Business Blunders
MBADC Creativity Workshop™ | Opportunities |The Starving Musician | Bus Fare | Backstage Spotlight™ | 
Issues & Activism | Rediscovered Talent™|
MBADC American Idol Armchair Quarterback
Music Industry Glossary | Music History LessonThis Month in Music History | About Us Press Room |
  Liner NotesCool Stuff We Love | Contact UsReprint Rights
MusicBizAdvice Blog Resources & LinksQuote of the Day
Copyright © 2003 MusicBizAdvice.com. All rights reserved.
Designated trademarks & brands are the property of their respective owners.
Use of this website constitutes acceptance of the MusicBizAdvice.com

User agreement and Privacy Policy.