Home

About Us & Press Room

Music Business Blunders

Music Business Lessons (Courtesy of Berklee Press)

MBADC Performance Coach

Q&A

How To's & Quick Tips

Feature Articles

MBADC American Idol Armchair Quarterback

Auditions and Job Opportunities

ScamAlert

ScamAlert™
Extra: The Truth About Online Modeling & Talent Agencies


Backstage Spotlight™

Rediscovered  Talent


Music History Lesson

MBADC Music Industry Glossary

Resources & Links


Reprint Rights

Writers Guidelines



Liner Notes


 

MBADC American Idol Armchair Quarterback 2005

American Idol from the perspective of someone who's booked artists at the national-level: who we like in the competition, what works, what doesn't work, what contestants can do to improve their chances of success, and advice you can apply to your own performances.

Week Twelve

Tuesday, April 5, 2005: Musicals Theme Night

Scott Savol: It was nice to hear Scott Savol's mid-range in his version of "The Impossible Dream" because we rarely get to hear it. But overall the vocal was pitchy and lacked emotion. We agree with Simon in that it was "ordinary." We've enjoyed watching Scott grow as an artist, but two mediocre performances have us thinking his time just may be up. On the plus side, Scott looked really nice in a blue shirt; it's a good color for him. Tips for success: Scott has a nice quality to his voice, as we've said in previous weeks. Hard work with a coach for more consistency, more of that pleasant mid-range, and more live performance experience to give him more confidence will help a lot.

Constantine Maroulis: When Constantine Maroulis chose "My Funny Valentine" we were a little scared (and extra picky), because it's one of our Ed-in-Chief's favorite standards. We actually liked this jazzy version, and it fit Constantine's voice beautifully. Randy Jackson confirmed what we've been saying for weeks when he said he doesn't "really buy the rocker thing." We agree; Constantine would do well to either stick with this, or drop the "musical theater" sound from his voice if he wants to be a rocker. This comes off as much more genuine. Tips for success: Continuing on this path, which is a better fit for Constantine's vocal style, seems much more "real" for Constantine than trying to put on a rocker persona. We'd also like to see him tone down the mugging for the camera a little, because sometimes he crosses the line between charm and smarmy. Finally, we wish Ryan Seacrest would give him lessons on how to groom his facial scruff; there's an art to wearing scruff without it making look like you need a shower. (Shave the neck, dude).

Carrie Underwood: Carrie Underwood's vocal delivery on "Hello Young Lovers" was excellent. The song and it's accompanying costume were a bit dated, however, and we actually understood Simon's "washing powder" commercial reference. (We were thinking 1960 commercials for Frigidaire.) It came off just a bit too Donna Reed. Tips for success: If Carrie maintains her consistency and chooses better songs, she can win.

Vonzell Solomon: Vonzell Solomon's version of "People" started off with shaky low notes, but she recovered. Still, choosing Barbra Streisand's signature song wasn't the best move, because throughout the performance we were comparing her, note for note. Who could live up to that? Tips for success: Song selection, song selection, song selection. We shouldn't have to compare Vonzell to anyone.

Anthony Fedorov: Anthony Fedorov's "Climb Every Mountain" was an interesting song choice, but we're not sure the contemporary arrangement really worked. As always there were some nice moments, but there were a few pitch problems, and overall there didn't seem to be enough power or emotion behind the vocals. Anthony was fantastic in early auditions, but hasn't seemed to bring out that magic, and it's sad. Tips for success: We're stubborn enough to think that song selection is a big part of the problem here. Perhaps a new vocal coach might help him reconnect with what he originally loved about singing in the first place, because we're not seeing much growth in Anthony, who  had been one of our favorites in the early auditions.

Nikko Smith: Nikko Smith's "One Hand One Heart" had a really nice arrangement that translated it into a performance we could envision seeing on the Grammys. It was very pitchy in places, but Nikko had excellent energy, and he continues to grow in terms of presence. Tips for success: Hard work with a vocal coach to eliminate some of the pitchiness, as well as continuing to gain experience with live performance, will make Nikko continue to grow as an artist.

Anwar Robinson: Anwar Robinson's "If Ever I Would Love You" had a nice, jazzy arrangement, and as always, he looked like a star. There were some great big notes, but unfortunately some of the others veered off-pitch. Tips for success: Hard work with a new vocal coach, as we prescribed last week, are still the remedy here. He's close, oh so close. The song selection was a big improvement over last week, and it's clear that he's working hard and really trying to get it.

Bo Bice: Bo Bice's "Corner of the Sky" wasn't the greatest song selection, but as our Webmaster deftly put it, "he has taken ownership of it," and he did everything he could with it in terms of stage performance. We're still rooting for him. Tips for success: Song selection, song selection. We know Bo has the goods, but he's gotta show it with songs that the audience can connect with as well as himself. We were a little put off by his admission that he chose his song by closing his eyes and pointing to a song on the page; in an important competition, it seemed like a lazy approach.

Nadia Turner: Nadia Turner's "As Long as He Needs Me" wasn't our favorite performance of hers, but it wasn't bad. We just felt it didn't highlight what makes Nadia unique, and it didn't have seem as natural as last week's performance. The dress and earrings didn't work for us, either; it was distracting because it didn't fit with her natural image and looked like someone came in and said, "OK, we've gotta glam this girl up." Tips for success: Consistency in image, as well as song choice, are important. When you're trying to attract a fan base, image switching can come off as a little schizo.


We voted for: We voted for: Bo Bice, as a strategic vote to keep him in the competition. He's still our favorite because of his natural musicality and knowing himself as an artist. 2nd choice: Carrie Underwood, because her vocals were the best of the night, and she looks like a star who's already there.
 

Seacrest Smart Quip of the Night: No smart quip that we noticed, but Seacrest's impression of the "Constantine Look" was hilarious. To be honest, we were a little distracted, being alternately fascinated and horrified by the Seacrest Sweater-shirt combo. We loved the sweater, but the white shirt sticking out didn't quite make it. Kudos to Ryan Seacrest for not being boring.


American Idol Armchair Quarterback

The MBADC American Idol Armchair Quarterback is intended as commentary and is not affiliated with Fox Television, American Idol, or its producers or judges in any way. Tips should be taken as a suggestion only and are not intended as a substitute for qualified vocal coaching or artist management. 

 

AddThis Feed Button


powered by FreeFind

Contact Us

MusicBizAdvice Blog

MusicBizAdviceMySpace

Link to Us

This Month in Music History

MBADC Creativity Workshop

Quotes of the Day

Body & Soul

Issues & Activism

Product Reviews

Cool Stuff We Love


The Starving Musician

Bus Fare

MBADC Women's Music Industry Workshop

Get your free MBADC Newsletter!

Exclusive content not found on MusicBizAdvice.com!
We do not rent, sell or give our mailing list to anyone.

Editorial: Music Mentors

Archives

Your ad can be in  this space. Email us for details.

map_sm_5.gif (13156 bytes)

Suicide Hotlines

 

Home | ScamAlert™ | Q&A  |  How ToBody & Soul | Music Business Blunders
MBADC Creativity Workshop™ | Opportunities |The Starving Musician | Bus Fare | Backstage Spotlight™ | 
Issues & Activism | Rediscovered Talent™|
MBADC American Idol Armchair Quarterback
Music Industry Glossary | Music History LessonThis Month in Music History | About Us Press Room |
  Liner NotesCool Stuff We Love | Contact UsReprint Rights
MusicBizAdvice Blog Resources & LinksQuote of the Day
Copyright © 2003 MusicBizAdvice.com. All rights reserved.
Designated trademarks & brands are the property of their respective owners.
Use of this website constitutes acceptance of the MusicBizAdvice.com

User agreement and Privacy Policy.