Home

About Us & Press Room

Music Business Blunders

Music Business Lessons (Courtesy of Berklee Press)

MBADC Performance Coach

Q&A

How To's & Quick Tips

Feature Articles

MBADC American Idol Armchair Quarterback

Auditions and Job Opportunities

ScamAlert

ScamAlert™
Extra: The Truth About Online Modeling & Talent Agencies


Backstage Spotlight™

Rediscovered  Talent


Music History Lesson

MBADC Music Industry Glossary

Resources & Links


Reprint Rights

Writers Guidelines



Liner Notes


 

MBADC American Idol Armchair Quarterback 2006

American Idol, from the perspective of someone who's booked artists at the national-level: who we like in the competition, what works, what doesn't work, what contestants can do to improve their chances of success, and advice you can apply to your own career.

Week Seventeen:
The Top 3
Triple Picks


Tuesday, May 16, 2006

Guests: Clive Davis

Elliott Yamin:
Elliott Yamin’s performance of Clive’s choice of  Journey’s “Open Arms” was pitchy, and we felt it was a safe performance that had no passion. We were actually a bit disappointed, because we thought he’d really deliver on this one. On the plus side, he looked great in the suit. Tips for success: If a song has a passionate, powerful lyric, the only way to deliver it is to go for it.

Katharine McPhee:
Katharine McPhee’s performance of Clive’s choice of R. Kelly’s “I Believe I Can Fly” was pitchy on the first verse, and she runs the risk of developing Christina Aguilera Syndrome. She oversang it and faltered on some of the oversung notes. Her comment that “You guys are hard on me the last couple of weeks” was a turn off. Well, Katharine, it sucked. When one has great ability, one is expected to greatly deliver. Tips for success: Just because you can do vocal gymnastics doesn’t mean you should every time, on every note. At some point, you’re going to blow it.

Taylor Hicks:
With respect to Clive Davis, who signed some of our music idols (Janis Joplin, Aerosmith), Bruce Springsteen’s “Dancing in the Dark” was a really poor song choice for Taylor Hicks…and it came off like a really bad wedding performance. The Bland Band’s arrangement didn’t help. There were no off notes, but…would we pay to see this? No. Tips for success: Stick to what your throat does best.

Elliott Yamin:
Elliott Yamin’s version of Paula Abdul’s choice of “What You Won’t Do For Love” (Bobby Caldwell) was in the ballpark of the right kind of song for him stylistically. But, the arrangement was very bland, so it came off as very Telethon. Perhaps a different arrangement would have knocked it out of the park. Imagewise, Elliott’s styling was great. Tips for success: Putting the right song with the wrong arrangement sometimes sounds like a bad song choice.

Katharine McPhee:
Katharine McPhee’s version of Simon Cowell’s choice of “Somewhere Over the Rainbow” was on in terms of hitting most of the notes, but we were bored. She was sharp on the chorus variation, and again, we say, “Would we pay to see this?” No. Katharine can hit the notes, but at times she has the charisma of a jukebox. We just want more out of her. Someone said something about this being the best vocal of the season, and we couldn’t disagree more, because we were bored. (For this reason, Chris Daughtry’s riveting “I Walk the Line” wins that title for us.) Tips for success: Stage presence is every bit as important as hitting the notes.

Taylor Hicks:
Randy Jackson’s choice of Joe Cocker’s “You are So Beautiful” was a great song choice. It was a nice performance, but a bit restrained and reserved for a Taylor Hicks performance. Again…Would we pay to see it live in concert? No. Would we download it? No. But we do like Taylor doing ballads. Tips for success:  At this point in the competition, you’ve gotta go for it. This song was the perfect opportunity for Taylor to do that.

Elliott Yamin:
In the Contestant’s Choice round, Elliott Yamin’s choice of Donnie Hathaway’s version of Ray Charles’ “I Believe To My Soul” was a fairly good song selection. But it came off very telethon and boring, and he’s capable of much better. Tips for success: Stage presence, stage presence, arrangement, and delivery.

Katharine McPhee:
Katharine McPhee’s version of “Ain’t Got Nothin But the Blues” left us with one question that superseded the vocal performance: “If she’s got the blues, why is she smiling from ear to ear???” Next… Tips for success: Pay attention to the song lyrics. If a friend told me they were sad but was smiling the whole time, I’d think they were crazy. Singing is telling a story.

Taylor Hicks:
Taylor Hicks’ choice of Otis Redding’s “Try a Little Tenderness” was an excellent song choice, but the Bland Band’s wedding singer arrangement was unfortunate…making things a little disjointed. Tips for success: Arrangement is important, but if you’re stuck with a bad one in a talent competition, try to make the best of it and vocalize around it.

We voted for:
No one, because nothing blew us away.

Ryan Seacrest Smart Quip of the Night:
None, but it was a packed show, so give the guy a break.


American Idol Armchair Quarterback


The MBADC American Idol Armchair Quarterback is intended as commentary and is not affiliated with Fox Television, American Idol, or its producers or judges in any way. Tips should be taken as a suggestion only and are not intended as a substitute for qualified vocal coaching or artist management. The official American Idol website is http://www.americanidol.com.
 

 

AddThis Feed Button


powered by FreeFind

Contact Us

MusicBizAdvice Blog

MusicBizAdviceMySpace

Link to Us

This Month in Music History

MBADC Creativity Workshop

Quotes of the Day

Body & Soul

Issues & Activism

Product Reviews

Cool Stuff We Love


The Starving Musician

Bus Fare

MBADC Women's Music Industry Workshop

Get your free MBADC Newsletter!

Exclusive content not found on MusicBizAdvice.com!
We do not rent, sell or give our mailing list to anyone.

Editorial: Music Mentors

Archives

Your ad can be in  this space. Email us for details.

map_sm_5.gif (13156 bytes)

Suicide Hotlines

 

Home | ScamAlert™ | Q&A  |  How ToBody & Soul | Music Business Blunders
MBADC Creativity Workshop™ | Opportunities |The Starving Musician | Bus Fare | Backstage Spotlight™ | 
Issues & Activism | Rediscovered Talent™|
MBADC American Idol Armchair Quarterback
Music Industry Glossary | Music History LessonThis Month in Music History | About Us Press Room |
  Liner NotesCool Stuff We Love | Contact UsReprint Rights
MusicBizAdvice Blog Resources & LinksQuote of the Day
Copyright © 2003 MusicBizAdvice.com. All rights reserved.
Designated trademarks & brands are the property of their respective owners.
Use of this website constitutes acceptance of the MusicBizAdvice.com

User agreement and Privacy Policy.