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• OP-Ed: Don’t Call Me That!
  New paradigms of the N Word, The B Word, and The H Word in the Evolving (devolving?) Entertainment Industry and Where We Go From Here
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
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Previous Features:

• Interview with Sue Mansour of Soraia: How she went from studio intern to recording at the legendary Henson Studios
   

• Production Company Deal, Record Company Deal – What’s the Difference? (And the History of How Each Came to Be)

• ASCAP Initiates Infringement Actions Against Establishments Performing Copyrighted Music Without Permission
   

• The “No Performance Right in Downloads” Ruling Against ASCAP Explained
   

• Interview with Red K Records CEO Clayton Savage. Part 1, Part 2
   

• Interview with Grammy Award-winning songwriter, producer, studio musician Jay Graydon Part 1, Part 2
   

• 20 Reasons Why Musicians Get Stuck at the Local or Regional Level
   

• MusicBizAdvice.com Case Study: Why Bon Jovi is Music Business 101
   

• RADIO IN SPACE: How Satellite Radio Impacts the Music Industry on Earth
   

• Composing for Film: An Interview with Film Score Composer Keith Kehrer
   

• Bringing the Background Vocals to the Foreground: A Roundtable With Vocalists Gabrielle Goodman, Kudisan Kai, and Darcie-Nicole Wicknick
   

• The RIAA Music Downloading Controversy:  Both Sides of the Record
   

• Publishing & Royalties 101:  Part 1
   

• Publishing & Royalties 101,  Part 2: Performing Rights Organizations, What They Do for Songwriters and Publishers, and How to Choose the Best One For You

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