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MUSIC HISTORY LESSON

Each month, a mini lesson in music history.


WHO WERE THE FIRST RECORDING ARTISTS AND HOW WERE THOSE RECORDINGS MADE?


by Jinjer Hundley


We all know Edison invented sound recording, but after shouting "Eureka! I'm a music producer!" who did this "Wizard of Menlo Park" grab by the starched collar and throw into the recording booth?

First of all, there was no recording booth, per se. The performers had to stand in front of the funnel-shaped horn attached to the top of a phonograph and literally belt out their songs. It took a very high volume for the recording diaphragm to vibrate enough for the cutting stylus to carve a groove into the wax cylinder. Horns made the best recordings, so marching band numbers were prominent.

The recordings were mass-produced by setting up multiple phonographs and having the artists perform the same number over and over. On average they would make 10-15 simultaneous recordings of each 10-minute take, resulting in 90 recordings per hour.

So who were the early recording artists? Two of "The Big Three" recording companies, The Columbia Graphaphone Company and Edison's National Phonograph Company, created their own "house bands" (The Columbia Quartet and The Edison Concert Band, respectively), making their artists the music industry's first studio musicians. The Victor Talking Machine Company recorded already-established live bands, such as The Sousa Band and The Original Dixieland "Jass" Band, as well as famous opera stars such as Enrico Caruso, Adelina Patti, and Francesco Tamagno.

Attention teachers: If you use this feature in the classroom, we'd love to hear about it! Send your feedback to talktombadc@aol.com with "Music History Feedback" in the subject line. Please note that some of MusicBizAdvice.com's content is the equivalent of PG-13.

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