Home

About Us & Media/Press Room

How To's & Quick Tips

Q&A

MBADC Performance Coach


Feature Articles

Music Business Blunders


Music Business Lessons (Courtesy of Berklee Press)

MBADC American Idol Armchair Quarterback

Auditions and Job Opportunities

ScamAlert

ScamAlert™
Extra: The Truth About Online Modeling & Talent Agencies


Backstage Spotlight™

Rediscovered  Talent


Music History Lesson

MBADC Music Industry Glossary

Resources & Links


Reprint Rights

Writers Guidelines


Liner Notes


 

 

Rediscovered Talent:

Rock & Roll Pioneer: Pat Benatar


Each month, musicbizadvice.com profiles an artist from the past. Some you may have heard of, some not, but we hope you'll take time to check out their music...especially if it's something different than you usually listen to. This month, we rediscover Pat Benatar.

Pat Benatar was born Pat Andrzejewski in Brooklyn, NY. Trained as an opera singer since elementary school, she gave up her opera training when it became clear that college would be too much of a financial hardship on her family. At age 19, she married Dennis Benatar and moved to Virginia. But music beckoned, and after a stint as a bank teller and singing waitress, she moved back to New York to persue her career.


Benatar began perfecting her stage presence in the Cabaret scene and church choirs, and by performing on open mic nights at the legendary Catch A Rising Star. Eventually winning a permanent slot, she became one of Catch A Rising Star's most popular performers. (Catch A Rising Star owner Rick Newman was later her manager for 10 years.)


The black eyeliner-wearing, man-eating rock and roll seductress persona that later became Pat Benatar's trademark was also born at the Catch A Rising-Star, in 1977. Done as a costume for Halloween night at another club, she kept the costume on for her set at Catch A Rising Star. The crowd went wild over Benatar's vampy rock and roll seductress get-up, and an image was born. Combined with her outspoken feminism, the image would later make Pat Benatar a pioneering rock icon.
(Uncomfortable with the conflict between the image and her real life, she would grow to regret it later.)

In 1978 Benatar was signed to Chrysalis Records. Shortly thereafter she was paired with musical director/guitarist Neil "Spyder" Giraldo, who would become her writing partner, guitarist, producer, and later, husband. Benatar's first album, In the Heat of the Night, was released in October, 1979. It reached #12 on the Billboard album chart--phenomenally successful for a rock album by a female at that time--and yielded the singles, "We Live for Love" and "Heartbreaker." Also on the album was "I Need a Lover," written by a little-known singer-songwriter named John Mellencamp. The public embraced the previously-unheard of combination of rock with classically-trained vocals, as well as Benatar's 4 1/2-octave (some say five) range. During this time she, Giraldo, and the band they assembled embarked on a nationwide tour.

In the Heat of the Night was followed in 1980 by Crimes of Passion, which hit #2 on the Billboard album chart. Spawning several singles and popular album cuts, Crimes also inadvertently stirred up a bit of controversy with a song about child abuse, "Hell is For Children." The song's title, coupled with Benatar's man-eating persona, was misinterpreted by the media as Satanic, causing it to be boycotted by several radio stations. A quick read of the lyrics would have cleared up any misunderstanding. The song is clearly about child abuse, and Benatar and Giraldo continue to donate the song's royalties to child abuse causes.

Next

Rediscovered Talent Home

 

only search
MusicBizAdvice.com 





Contact Us







Link to Us

This Month in Music History

MBADC Creativity Workshop

Body & Soul

Product Reviews

Reviews (Music and Music Biz Related Books, Film, TV and Video)

Cool Stuff We Love


The Starving Musician

Bus Fare

Editorial: Music Mentors

Archives



map_sm_5.gif (13156 bytes)


Suicide Hotlines

Your ad can be in  this space.
Email us for details.



 

Home | ScamAlert™ | Q&A  |  How ToBody & Soul | Music Business Blunders
MBADC Creativity Workshop™ | Opportunities |The Starving Musician | Bus Fare | Backstage Spotlight™ | 
Issues & Activism | Rediscovered Talent™|
MBADC American Idol Armchair Quarterback
Music Industry Glossary | Music History LessonThis Month in Music History | About Us & Media/Press Room |
  Liner NotesCool Stuff We Love | Contact UsReprint Rights
MusicBizAdvice Blog Resources & LinksQuote of the Day
Copyright © 2003 MusicBizAdvice.com. All rights reserved.
Designated trademarks & brands are the property of their respective owners.
Use of this website constitutes acceptance of the MusicBizAdvice.com

User agreement and Privacy Policy.